Home Tweet Home was part of the initial Primitive Spirit pattern offerings, and creating it helped form my personal style. Let’s take a closer look.
First you should notice that this design has very simple contrasts. There is the light background and the dark motifs. Pretty straightforward and uncomplicated. If you squint your eyes you can see how starkly motifs stand out against the background. If you are just beginning your journey with color, a simple high contrast color plan such as this is a good place to start. If you learn how to create a light against dark contrast with value, you have learned the most important key to working with color.
The background is a light value backdrop for all of the motifs to play against. The motifs are little more than silhouettes, hooked with a few dark values. Suggestions of detail are all that is needed for the eye to figure out the rest.
The background was just as fun to hook as the motifs for me, because I was experimenting with blending. I had 5 or 6 light values in wool, some were too white and cold looking, so I made a strong batch of regular tea, and used it to stain or dye those colors. Tea dyeing often gives light colors a peachy-tan tint, which looks nice and aged. When I tea stain, I usually fix the color as I do with acid dyes with wool, using vinegar or citric acid.
After muddying the stark whites, I hooked all of my colors into the background. The trick is to think of each section of the background as an important shape, and hook it with as much attention as a motif. The goal is to make quiet blends.
I am always in a quandary about signing my rugs. Sometimes I mean to, but just forget. Other times I don’t want my signature to interfere with the design. In this case I added a signature label into the binding.
Thank you for joining me today ~ Karen